If we look deeply into the causes of isolation, fear, despair,
misery, their cause can be traced back to the belief and feeling that
consciousness is personal and limited. When consciousness is for a
moment relieved of this self-imposed limitation, it experiences its own
unlimited nature; and beauty, love and intelligence are expressions of
this experience. It is from such an experience, therefore, that the root
cause of suffering is undermined. For this reason I would say that
beauty is not only relevant in our culture, but that it is essential. In
fact I would go further and say that the more injustice, inequality and
suffering in a culture, the more need there is for truly creative
artists, for people who are sensitive to the universality of
consciousness and who are able to express something of its majesty in
form. Ultimately no words can describe this because all words are
conceptual, and we are talking about direct experience. That is why it
is so important to make beautiful things. In fact, the more conceptual
and abstract a culture’s notion of reality, the more important it
becomes to have good artists.
http://non-duality.rupertspira.com/read/interview_with_daphne_astor__consciousness_and_the_role_of_the_artist_2002
The blog of composer John Burke's Labyinthmusic Project. Where Contemporary Classical Music meets Mind and Spirit in non-ordinary ways. A circumambulation of values.
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Sunday, November 19, 2017
Sunday, November 12, 2017
New Horizons
I am very taken with Paul Hedderman's view of Mind and realization. At some point I hope to work with him in forging a functional link between the non-duality he is sharing and art music as it may now begin to manifest in the West. The catalyst and the catalyzed . . . without a catalyzer. Which for me, in my non-non-humble non-opinion, is where the whole thing has effectively been taking us, by way of the long march of classical music in its thousand-year journey. Classical music, the sadhana of the West: esoteric music as the handmaid of and antidote to exoteric religion.
It is time for art music to move from time to the timeless. From theistic to non-theistic energy. In the wake of the Twilight of the Idols, how else can it be? After the great inconoclastic eruptions and the ensuing dark nights of the past century, is this not the moment? What more need be said? What more need be seen through? What more need be done? It is already here. Music's destiny is to sing - and to be - the victory song of that consummate non-dual freedom.
It is time for art music to move from time to the timeless. From theistic to non-theistic energy. In the wake of the Twilight of the Idols, how else can it be? After the great inconoclastic eruptions and the ensuing dark nights of the past century, is this not the moment? What more need be said? What more need be seen through? What more need be done? It is already here. Music's destiny is to sing - and to be - the victory song of that consummate non-dual freedom.
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